#宫崎骏
Live, measured metrics for the hashtag #宫崎骏 from the open social web. Every number carries a named source and the time it was fetched. Nothing is estimated.
Own #宫崎骏
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Day-by-day usage
measured · fosstodon.org (Mastodon public tags API) · fetched 2026-08-24 07:16 UTC0 uses by 0 unique accounts across the window. Real per-day counts, not estimates. Newest bar is today so far.
Related hashtags
measured · fosstodon.org (Mastodon public search API) · fetched 2026-08-24 07:16 UTCLive pulse
measured · fosstodon.org (Mastodon tag timeline) · fetched 2026-08-24 07:16 UTCEverything below is measured over the latest 5 public posts (spanning ~27758 hours).
Posting hours (UTC)
Languages: Chinese (5)
Avg boosts / post: 0
Used together with
Top of the latest posts
「在宫80年代的作品《天空之城》《风之谷》中，他总是让少年儿童来代行毁灭/重生之职责，同时表达对于现实世界强烈的失望，这其中流露的浓烈弥赛亚情结以及“惩罚人类”欲望，宫后来在访谈集《风之归所 从娜乌西卡到千寻的轨迹》中有所反思：“我曾有过很强烈的惩罚人类的欲望，但后来我意识到，这就是成为神的欲望。”」 圆桌 | 宫崎骏《你想活出怎样的人生》：左派忧郁症的幻想废墟 https://mp.weixin.qq.com/s/YF-AL9bi49Q_Xk4FF_ULTw #宫崎骏 #吉
↑ #宫崎骏 很不待见 #手冢治虫 ，认为是后者把日本动画产业导向了血汗工厂的不归路；但与此同时，手冢也确实奠定了今天日本动画的工业化生产基础。我们当然要批评今天的日本动画产业对动画师的剥削和压榨，但选择与产业模式不同道路的吉卜力并没有为业界培养出新一代人才，又如何成为「尊重人性」的代表呢？ 对比之前《#葬送的芙莉莲》放送期间，观众围绕新人监督们轮番上阵创造的奇景，把动画师当作原画引擎的吉卜力绝对担不起「彰显人性」的重任。 吉卜力的作品里只有#宫崎骏 和#高畑勋 的人性，其他
#宫崎骏 说过：如果你喜欢一个人，那你就主动多朝她走几步，如果她看见你走过来，却没有要迎接你的意思，那你就停下来，因为你要懂得，很多事情都可以靠努力得来，唯有爱情不行！
#宫崎骏 across platforms
every network with a public tag surfaceFollow #宫崎骏 straight to each platform’s own tag page. Where a platform publishes open data we measure it above; the rest lock their numbers behind paid APIs, so we link rather than guess.
Every number above is measured from a named public API at the shown fetch time. Nothing is estimated or extrapolated. Platforms that lock their data behind paid APIs are not shown. Agents: the same numbers, as JSON, at /api/hashtags/宫崎骏