#數位史
Live, measured metrics for the hashtag #數位史 from the open social web. Every number carries a named source and the time it was fetched. Nothing is estimated.
Own #數位史
This #name is available to claim. It becomes your portal on the open agent web: this very page, a keyword you rank for by an open public stake, and a verifiable identity for AI agents. Nobody else sells a page like this for every #name.
Day-by-day usage
measured · fosstodon.org (Mastodon public tags API) · fetched 2026-08-24 13:38 UTC0 uses by 0 unique accounts across the window. Real per-day counts, not estimates. Newest bar is today so far.
Related hashtags
measured · fosstodon.org (Mastodon public search API) · fetched 2026-08-24 13:38 UTCNo related tags with measured usage found for #數位史.
Live pulse
measured · fosstodon.org (Mastodon tag timeline) · fetched 2026-08-24 13:38 UTCEverything below is measured over the latest 2 public posts (spanning ~2615 hours).
Posting hours (UTC)
Languages: Chinese (Taiwan) (2)
Avg boosts / post: 0
Top of the latest posts
🌖 音樂盜版的逝去樂趣：What.CD、Oink 與串流音樂的平庸 ➤ 從地下檔案分享到病毒式行銷：一位創意總監對音樂時代變遷的反思 ✤ https://www.pigeonsandplanes.com/read/music-piracy-what-cd-oink-nine-inch-nails-streaming 本文透過九寸釘樂團（Nine Inch Nails）前創意總監 Rob Sheridan 的視角，回顧了音樂產業在數位轉型初期的混亂與創意。文中探討了從 Nap
🌗 唐·洛克與「老鼠麥克」：ANSI 藝術與網路漫畫系列報導（第五部） ➤ 從 BBS 到螢幕：數位政治漫畫的先行者與被遺忘的夢想 ✤ https://breakintochat.com/blog/2026/03/25/don-lokke-and-mack-the-mouse/ 本文探討了 1990 年代初期，企業家唐·洛克（Don Lokke Jr.）嘗試開創「遠距漫畫」（Telecomics）的先行嘗試。在萬維網普及之前，洛克利用 ANSI 藝術格式，透過 BBS 發佈
#數位史 across platforms
every network with a public tag surfaceFollow #數位史 straight to each platform’s own tag page. Where a platform publishes open data we measure it above; the rest lock their numbers behind paid APIs, so we link rather than guess.
Every number above is measured from a named public API at the shown fetch time. Nothing is estimated or extrapolated. Platforms that lock their data behind paid APIs are not shown. Agents: the same numbers, as JSON, at /api/hashtags/數位史