#antonioni
Live, measured metrics for the hashtag #antonioni from the open social web. Every number carries a named source and the time it was fetched. Nothing is estimated.
Own #antonioni
This #name is available to claim. It becomes your portal on the open agent web: this very page, a keyword you rank for by an open public stake, and a verifiable identity for AI agents. Nobody else sells a page like this for every #name.
Day-by-day usage
measured · mastodon.online (Mastodon public tags API) · fetched 2026-10-14 05:19 UTC0 uses by 0 unique accounts across the window. Real per-day counts, not estimates. Newest bar is today so far.
Related hashtags
measured · mastodon.online (Mastodon public search API) · fetched 2026-10-14 05:19 UTCLive pulse
measured · mastodon.online (Mastodon tag timeline) · fetched 2026-10-14 05:19 UTCEverything below is measured over the latest 40 public posts (spanning ~23741 hours).
Posting hours (UTC) — busiest: 09:00
Languages: Dutch (18) · English (17) · Turkish (3) · French (1) · Italian (1)
Avg boosts / post: 0.8
Top of the latest posts
This weekend’s double-bill was “two movies by Antonioni, both starring Monica Vitti”. L’avventura (1960) and L’eclisse (1962) Both were beautiful! I think I’ve liked L’eclisse slightly more with its memorable dialogues, ultra-beautiful lead
#leclisse #antonioni #monicavitti #alaindelon #cinema #film #review My ★★★★★ review of L'Eclisse (1962) on #letterboxd: https://boxd.it/8cucuz
L'Eclisse (The Eclipse, 1962), dir. Michelangelo Antonioni #monicavitti #alaindelon #antonioni #cinema
What “antonioni” means
WikipediaMichelangelo Antonioni was an Italian film director, screenwriter, and editor. He is best known for a trio of films often dubbed the "alienation trilogy": L'Avventura (1960), La Notte (1961), and L'Eclisse (1962); the English-language film Blowup (1966); and the multilingual The Passenger (1975). His films have been described as "enigmatic and intricate mood pieces" that feature striking visual composition, subdued narratives, and a preoccupation with modern landscapes. His work substantially i
“Michelangelo Antonioni” on Wikipedia (CC BY-SA) →#antonioni across platforms
every network with a public tag surfaceFollow #antonioni straight to each platform’s own tag page. Where a platform publishes open data we measure it above; the rest lock their numbers behind paid APIs, so we link rather than guess.
Every number above is measured from a named public API at the shown fetch time. Nothing is estimated or extrapolated. Platforms that lock their data behind paid APIs are not shown. Agents: the same numbers, as JSON, at /api/hashtags/antonioni