#juliushemphill
Live, measured metrics for the hashtag #juliushemphill from the open social web. Every number carries a named source and the time it was fetched. Nothing is estimated.
Own #juliushemphill
This #name is available to claim. It becomes your portal on the open agent web: this very page, a keyword you rank for by an open public stake, and a verifiable identity for AI agents. Nobody else sells a page like this for every #name.
Day-by-day usage
measured · fosstodon.org (Mastodon public tags API) · fetched 2026-07-30 23:52 UTC0 uses by 0 unique accounts across the window. Real per-day counts, not estimates. Newest bar is today so far.
Related hashtags
measured · fosstodon.org (Mastodon public search API) · fetched 2026-07-30 23:52 UTCNo related tags with measured usage found for #juliushemphill.
Live pulse
measured · fosstodon.org (Mastodon tag timeline) · fetched 2026-07-30 23:52 UTCEverything below is measured over the latest 4 public posts (spanning ~27057 hours).
Posting hours (UTC)
Languages: English (4)
Avg boosts / post: 0.5
Top of the latest posts
“With Circle the Heart, Relative Pitch Records presents another find, a live recording from Worcester, MA from 1982,” writes Michael Rosenstein. https://dustedmagazine.tumblr.com/post/809447022720679936/marty-ehrlich-julius-hemphill-circle-
Point of No Return is the debut album by the jazz group the World Saxophone Quartet released on the Moers Music label in 1977. The album features a live performance by alto saxophonists Julius Hemphill and Oliver Lake, tenor saxophonist Dav
“Despite its flaws, Plays the Music of Julius Hemphill still has a lot going for it, particularly the ‘Mingus Gold’ suite,” writes Roz Milner. https://dustedmagazine.tumblr.com/post/782445413830688768/the-hemphill-stringtet-plays-the-music-
Every number above is measured from a named public API at the shown fetch time. Nothing is estimated or extrapolated. Platforms that lock their data behind paid APIs are not shown. Agents: the same numbers, as JSON, at /api/hashtags/juliushemphill